Steve Art Gallery LLC
USA Oil Painting Reproduction

 
 


Painting ID::  32700
The Circumcision
c. 1587 Oil on canvas, 440 x 482 cm

Tintoretto The Circumcision oil painting reproduction


   
 

 

 
   
      


Painting ID::  37434
The Circumcision
mk126

James Ensor The Circumcision oil painting reproduction


   
 

 

 
   
      


Painting ID::  42874
The Circumcision
mk170 circa 1490-1495 Oil on wood 258.5x180cm

Luca Signorelli The Circumcision oil painting reproduction


   
 

 

 
   
      


Painting ID::  42983
The Circumcision
mk170 date 1500 Oil on canvas 222.3x151.1cm

Marco Marziale The Circumcision oil painting reproduction


   
 

 

 
   
      


Painting ID::  73963
The Circumcision
1587(1587) Oil on canvas 440 X 482 cm cjr

Domenico Tintoretto The Circumcision oil painting reproduction


   
 

 

 
   
      


Painting ID::  75465
The Circumcision
Date 1587(1587) Medium Oil on canvas Dimensions 440 X 482 cm cyf

Domenico Tintoretto The Circumcision oil painting reproduction


   
 

 

 
   
      


Painting ID::  89787
The Circumcision
1530(1530) Medium oil on linden cyf

Master of Ab Monogram The Circumcision oil painting reproduction


   
 

 

 
   
      


Painting ID::  92559
The Circumcision
1519 Oil on wood, 37 x 50 cm TTD

Garofalo The Circumcision oil painting reproduction


   
 

 

 
   
      


Painting ID::  98312
The Circumcision
first half of 16th century Medium Oil on wood transferred to canvas cyf

Giulio Romano The Circumcision oil painting reproduction


   
 

 

 
   
      

Giulio Romano
Italian 1492-1546 Giulio Romano was born in Rome. In his native city, as a young assistant in Raphael's studio, he worked on the frescos in the Vatican loggias to designs by Raphael and in Raphael's Stanze in the Vatican painted a group of figures in the Fire in the Borgo (L'incendio di Borgo) fresco. He also collaborated on the decoration of the ceiling of the Villa Farnesina. After the death of Raphael in 1520, he helped complete the Vatican frescoes of the life of Constantine as well as Raphael's Coronation of the Virgin and the Transfiguration in the Vatican. In Rome, Giulio decorated the Villa Madama for Cardinal Giuliano de' Medici, afterwards Clement VII. The crowded Giulio Romano frescoes lack the stately and serene simplicity of his master. In the Palazzo Te, MantuaAfter the Sack of Rome in 1527 and the death of Leo X, artistic patronage in Rome slackened. Vasari tells how Baldassare Castiglione was delegated by Federico Gonzaga to procure Giulio to execute paintings and architectural and engineering projects for the duchy of Mantua. His masterpiece of architecture and fresco painting in that city is the suburban Palazzo Te, with its famous illusionistic frescos (c. 1525?C1535). He also helped rebuild the ducal palace in Mantua, reconstructed the cathedral, and designed the nearby Church of San Benedetto. Sections of Mantua that had been flood-prone were refurbished under Giulio's direction, and the duke's patronage and friendship never faltered: Giulio's annual income amounted to more than 1000 ducats. His studio became a popular school of art.
The Circumcision
first half of 16th century Medium Oil on wood transferred to canvas cyf

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